Let me tell you one loud most beautiful elitist discourse that we have seen lately in the cinema co

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Let me tell you one loud most beautiful elitist discourse that we have seen lately in the cinema coming from Hollywood animated movie about a rat who gets the greatest chef in France. Unlike his brothers, who are content food in any trash, he has taste and trying hard to refine it, walking on two feet and keep them on the other two only mîncării mini link tn handling, reading books and watching -it to show great chef Gusteau. "The food is just fuel," says his father. "If you become demanding and stops the engine." I know when I've mini link tn seen a Hollywood movie showing that being demanding a quality mini link tn that not being at all pretentious means to nurture a lifetime only garbage (by the way, what other food gives you the most Hollywood of the time?) and finally, that you only feed a lifetime of garbage is not a crime, but it's not like you did not lose anything. Although the rat's condition severely restricts his chances mini link tn to assert (or even survive) in a kitchen people, our hero (even guided by the spirit of great taste) is the way to master restaurant, where, with a clumsy apprentice but open to the wonders of nature, perhaps finally to use his talent: The cap installed under apprentice as an cockpit mini link tn and guided mini link tn him like a puppet with two tufts of hair, he creates mini link tn extraordinary recipes guide the only by smell. Hailed mini link tn as a culinary genius (especially after he discovers that he is the son of the late Gusteau), the disciple comes to think that maybe one; but of course it can not, as can neither his girlfriend, a loyal executing, uncreative, Gusteau recipe. Do not have talent is a shame, says the film, but not the same as having. Regarding this, Ratatouille is as emphatic as Brad Bird's previous film, The Incredibles (2004): Some have, others have not, and between those without and those with no question of a tie. Rather between humans mini link tn and mice. One of the great things about this film is that his characters are not overly humanized animal. True, the entrance of the hero - through a window in a shower of splinters freezing in freeze-frame - led me to thinking about entering Eli Wallach in The Good, The Bad, and The Ugly (and given the fact that there Wallach mini link tn play a character called "rat", I assume that the reference is intentional), but that was one of the few times when I thought the hero other than as a rat (and, thank God, one of the very few moments in the film sent me to other films: Another great quality of Brad Bird is that, unlike almost all the other animation filmmakers big budget, ambitious to create new worlds, able to support and legitimize themselves and not through a myriad of references and citations). Ratatouille is, among other things, a film about the barriers "class" of humanity and rats, so it is important that the rats and rats show that in some moments (when swarming with dozens by a bridge or a kitchen) I'm not cute, but creepy. The hero himself is just so sweet as to be: cute enough to induce the viewer to weakness for the animal mini link tn to complete the adoption application on the spot, but not so sweet as to induce the spectator May hain (as like me) to engage pest control service immediately. (Let's face it: human specimen best qualified to understand and to love this rat was the fragrance likable boy, who, with a nose at least as fine works of art create even more ambitious - some of them leather virgin slain in his sleep.) All this will mean that his taste is impeccable Brad Bird; even Paris's manages to be romantic and archetypal and so on, without looking kitsch or brooding. Burlesque humor is never rude or mechanical Bird imagined every detail until all routes you can take a rat in a kitchen with all the accidents which may happen, mini link tn and the result